Wednesday, 11 December 2024

Dolmen Capstone Assumptions

 


DZSWS:1998.1008 Drawing of Carreg Samson  Wiltshire Museum

The capstones of the great Preseli Dolmens, Carreg Samson, Carreg Coitan, and Pentre Ifan, and slightly further afield Tinkinswood, are an intriguing mystery.

They are all large, in Tinkinswood's case about 40 tonnes, monoliths that are described as erratics. In Carreg Samson's case the igneous rock is obviously different to some of the supports which are a conglomerate.

There is a reasonable assumption that these different stones all ended up on site by natural processes, and pits under the dolmens might be where they were extracted from. But these are just assumptions, there is no evidence. And as the builders obviously could move and shape the undersides of these very large rocks it is also reasonable to believe they were just as likely to have been brought to the sites by the builders. But without evidence no useful conclusions can be made

As they say to assume is to make an ass out of u and me.




Tuesday, 10 December 2024

Avebury Stones

 As a part of their wonderful ongoing project to make the information free  The Avebury Papers write: "As an experiment, we have also added the stones of Avebury to Wikidata, along with their coordinates, and, in a few cases, photographs from the archive. This data can now be queried to create an interactive map of the stones (below), or you can run the query yourself here, just click the blue ‘play’ button on the page you land on".

Monday, 9 December 2024

A monument born from climate change

Bryan Lovell investigates how a warm period in Earth’s history associated with Icelandic volcanism could have shaped our ancient stones

The silcretes used to build the Stonehenge sarsens plausibly formed under the warm climatic conditions of the Palaeocene-Eocene Thermal Maximum

https://geoscientist.online/sections/features/a-monument-born-from-climate-change/






Sunday, 8 December 2024

The Shebbear Erratic Sarsen

During Storm Darragh, 7/12/2024, I had the pleasure of driving through Shebbear in Devon.
I examined the erratic on the village green, that is turned over every year to keep the devil at bay.
The photos are below, click to embiggen them.
This year's top surface is a typical sarsen, a tight silica bound sandstone with some iron staining, the lower half is not so well silicified, a thumbnail can dislodge grains. The sand component is coarser and includes small rounded gravel. The relative fragility of it indicates it has never been transported by ice.
It is, without doubt, an outlier of the sarsens found else where in Devon, how far it has been moved by humans to its present prominent position is unknown but the presence of another similar stone in the parish suggests maybe not far. 









 

Wednesday, 4 December 2024

Current Archaeology Awards 2024

The Current Archaeology Awards are now open for voting:

Can I recommend these three nominees for your consideration as their subject matter links to the interests of this blog?

Book of the Year:

Stone Circles: a field guide
Colin Richards & Vicki Cummings

Stonehenge: sighting the sun
C Ruggles & A Chadburn

Research Project of the Year 2025

Seeking a Scottish source: updating the story of Stonehenge’s Altar Stone
Richard Bevins, Rob Ixer, Nick Pearce, and Tony Clarke



Saturday, 30 November 2024

Why William Harvey Went to Stonehenge: Anatomy, Antiquarianism, and National Identity

“Why William Harvey Went to Stonehenge: Anatomy, Antiquarianism, and National Identity.” ISIS, a journal of the History of Science Society, 25 November 2024. By Anita Guerrini

https://www.journals.uchicago.edu/doi/abs/10.1086/733151 (£)

Abstract

During his royal progress in the summer of 1620, King James I stopped in Wiltshire. In his party were the architect Inigo Jones and a royal physician, William Harvey. The king sent Jones and Harvey to Stonehenge, which was nearby, to make drawings and measurements of the mysterious monument. In addition, Harvey was to perform excavations. This visit, described by Jones in his posthumous book The Most Notable Antiquity of Great Britain, vulgarly called Stone-Heng on Salisbury Plain, Restored (1655), raises many questions, particularly about Harvey’s role in this expedition. The answers to these questions involve Harvey’s underexamined role as a courtier, the place of antiquarianism in the establishment of royal legitimacy and national identity, and debates in early modern Europe surrounding fossil bones and ancient monuments. There is a good chance that Harvey was looking for the fossil bones of giant ancestors.



Stonehenge Quadrangle, Solstice and Lunistice, Sun and Full Moon

Stonehenge Quadrangle, Solstice and Lunistice, Sun and Full Moon

Amelia Carolina Sparavigna

Polytechnic University of Turin - Department of Applied Science and Technology

Date Written: November 21, 2024

Abstract

Here we discuss the orientation of the megalithic Quadrangle of Stonehenge, created by its four Station Stones. Stimulated by the recent proposal made by Timothy Darvill of a solar calendar embedded in the monumental sarsen stones, we investigate a possible role of the moon. At the same time, we invite the reader to use software to simulate the behavior of the moon, regarding lunistices (lunar standstills) and lunar phases. Thanks to software, we can appreciate how the full moon, rising and setting along the long side of the Quadrangle in the case of major lunistices, is heralding the solstice. The Metonic cycle could also be considered as involved in the solar calendar proposed by Darvill.

Sparavigna, Amelia Carolina, Stonehenge Quadrangle, Solstice and Lunistice, Sun and Full Moon (November 21, 2024). Available at SSRN: https://ssrn.com/abstract=5023173 or http://dx.doi.org/10.2139/ssrn.5023173



Sunday, 24 November 2024

West Kennet Granodiorites

"Seventy-seven pieces of very weathered pyroxene-bearing granodiorite corestone excavated from trenches 2, 3 and 9 within Structure 5 of West Kennet in 2019 and 2021 and varying from small pebbles to >500grms cobbles, have a total weight of 22kg. Detailed petrographical and geochemical analyses of typical samples show them to share an unusual (for Britain) and distinctive mineralogy and petrography and also suggest they are all from a single outcrop/subcrop. The essentially unaltered pyroxene-bearing granodiorite carries 'large' skeletal zircon crystals, which are a determinative characteristic. Petrological comparisons with similar British granodiorites show that its origin is to be found within the large, 60km 2 and lithologically highly diverse Cheviot Igneous Complex of Northumberland, more than 450km from West Kennet."


Saturday, 16 November 2024

The Sarsens of Devon

Devon is pleasantly littered with Sarsen stones, mainly in the south of the county. Nash et al even sampled some for their paper hunting for the sources of the Stonehenge Sarsens.


David J. Nash et al. ,Origins of the sarsen megaliths at Stonehenge.Sci. Adv.6,eabc0133(2020).DOI:10.1126/sciadv.abc0133


Here are the sarsens in Staple Fitzpaine in Somerset, looking very like the ones further west in Shebbear.



 I'm intrigued by reports from elsewhere in the county, especially this one from North Molton, which I can't find corroborated more recently. I must look when I'm next passing.
CHURCHES BUILT ON PRE-CHRISTIAN BURIAL-PLACES. Ward, H Snowden.  The Antiquary; London Vol. 2, Iss. 3, (Mar 1906): 120-120.

Sunday, 10 November 2024

Shebbear's other boulder



The regularly manuported "Devil's Stone" on Shebbear's village green.

Just up the road there is another boulder, more angular but said to be of a similar type of stone.


HER Number:MDV51508
Name:Stone, Berry Farm, Shebbear

"Summary

Large boulder to right of access to plot at Berry Farm said to be of similar type to standing stone on Shebbear village green. Exeter University geologists and archaeologists suggest that it is not of local origin."


Saturday, 9 November 2024

The Limeslade Erratic - the professional analysis

The Limeslade erratic is in no way exceptional. It is simply another giant erratic on the foreshore of southern Britain.


The occurrence of boulders from Pembrokeshire transported by glacier southeastwards across South Wales towards the Severn Estuary has been known for well over a century (reviewed in Scourse, 1997). There is, however, no geochronological or other evidence to support John’s contention that this ice advance occurred during the Anglian glaciation, nor is there any evidence to extrapolate this transport route eastwards from the western Mendips towards Stonehenge


There is no evidence presented by John to shed light on its provenance; rather, the narrative represents a curious journey of local sources to a broad, Wales-wide journey of potential sources of the Stonehenge bluestones, which has no relevance to the identification of the boulder on the foreshore, at Limeslade on Gower, and which logically, on the basis of previously published works, was derived from north Pembrokeshire. This article merely represents a disingenuous cover to justify a rehearsal of the now well-worn and increasingly tedious debate concerning transport of the Stonehenge bluestones.

The conclusion of: 

Comment on "An igneous erratic at Limeslade, Gower, and the glaciation of the Bristol Channel by Brian John" -  Nick Pearce, Richard Bevins, Rob Ixer & James Scourse PDF

From: Quaternary Newsletter Issue 163 (October 2024)


Thursday, 7 November 2024

Seeking a Scottish source: Updating the story of Stonehenge’s Altar Stone

"Current Archaeology issue 415 reported on new scientific analysis suggesting that the origins of the Stonehenge Altar Stone lay hundreds of miles from Salisbury Plain, in the Orcadian Basin of north-east Scotland. The story has already moved on, however, with recently published research narrowing the search further, ruling out Orkney itself as a potential source. Rob Ixer, Richard Bevins, and Nick Pearce bring us up to date." November 2024
"This map shows the distribution of the Old Red Sandstone sedimentary basins of Britain and Ireland, highlighting the location and extent of the Orcadian Basin."

Full article: https://the-past.com/feature/seeking-a-scottish-source-updating-the-story-of-stonehenges-altar-stone/

Or at https://www.academia.edu/125350876/_054_CA417_Altar_stone_geology2_EMSCCH

Friday, 1 November 2024

Thornborough Henge Survey

Geophysical surveys led by Historic England have identified outer features of the Thornborough Northern Henge along with other possible archaeological finds 

Read further at: bit.ly/NorthernHenge




Friday, 25 October 2024

The Altar Stone Excavations

An attempt to present the complete record of known excavation around the Altar Stone of Stonehenge.

In the 1620s, the Duke of Buckingham led one of the earliest excavations at Stonehenge, spurred by a visit from King James I. The excavation took place at the center of the site, where a large pit was dug. During their search for treasure, they uncovered skulls of cattle and other animals, as well as burned coals and charcoals. 

WANHS. V.16 No.46-48 (1876). Devizes :WANHS, 1876, is the source for the antiquarian excavation records. https://www.biodiversitylibrary.org/item/45246.

Page 33:    "In Plate VIII fig 2, Ï€ is a Pitt which the Duke of Buckingham ordered to be digged, when King James the first was at Wilton : at which time, and by w"' meanes, the stone  twenty one foote long (now out of the earth) reclined by being  under -digged. (x in fig. 2 and z in the Prospect, plate the Vlth.]"




I have overlaid a plan of Stonehenge onto Fig 2 and it indicates the pit that was dug was not adjacent to the Altar Stone. Though strangely it claims that that the lean of Stone 56 is due to the pit being dug.

Page 48 - 49 John Wood gives a further description:

At the upper end of the Adytum is the altar, a large slab of blue coarse marble, 20 inches thick, 16 feet long, and 4 broad pressed down by the weight of the vast stones that have fallen upon it. ' George duke of Buckingham in the reign of James I. caused the middle of Stonehenge to be dug, where remains a cavity as big as two saw-pits. This occasioned the falling down or inclination of a stone 21 feet long. There were found heads and horns of stags and oxen^ charcoal, arrowheads, rusty armour and rotten bones, but whether of men or beasts uncertain ......

Dr. Stukeley, 1723, dug on the inside of the altar to a bed of solid chalk mixed with flints. In the reign of Henry VIII. was found here a plate of tin, inscribed with many letters, but in so strange a character  that neither Sir Thomas Elliot, a learned antiquary, nor Mr. Lilly, Master of St. Paul's School, could make them out. This plate to the great loss of the learned world was soon after lost.

Stukeley on Page 84: " July 5, 1723. By Lord Pembroke's direction, I dug on the inside of the altar about the middle : 4 foot along the edge of the stone, 6 foot forward toward the middle of the adytum. At a foot deep, we came to the solid chalk mix'd with flints, which had never been stir'd. The altar was exactly a cubit thick, 20 inches and 4/5; broken in two or three pieces by the ponderous mass of the impost and one upright stone of that trilithon which stood at the upper end of the adytum, being fallen upon it.

Hence appears the commodiousness of the foundation for this huge  work. They dug holes in the solid chalk, which would of itself keep up the stones, as firm as if a wall was built round them. And no doubt they ramm'd up the interstices with flints. But I had too much regard to the work to dig anywhere near the stones. I took  up an oxe's tooth, above ground, without the adytum on the right hand of the lowermost trilithon, northward. And this is all the account of what has been found by digging at Stonehenge, which I can give." ' 

On Page 85 John Wood gives further commentary:  Dr. Stukeley says that he dug close to the altar, and at the depth of one foot came to the solid chalk. Mr. Cunnington also dug about the same place to the depth of nearly six feet, and found the chalk had been moved to that depth ; and at about the depth of three feet he found some Roman pottery, and at the depth of six feet, some pieces of sarsen stones, three fragments of coarse half-baked pottery, and some charred wood. After what Stukeley has said of finding the  marl solid at the depth of one foot, the above discoveries would naturally lead us to suppose, that some persons, since his time had dug into the same spot ; yet after getting down about two feet, there was less and less vegetable mould, till we reached the solid chalk ; some small pieces of bone, a little charred wood, and some fragments of coarse pottery were intermixed with the soil.

Page 86: The following extract is from a letter by Mr. Cunnington, F.S.A.. of Heytesbury, dated November 1802, with which his grandson, Mr Cunnington, F.G.S., has kindly favoured the writer : " I have during the summer dug in several places in the area and neighbourhood of Stonehenge and particularly at the front of the altar, where I dug to the depth of 5 feet or more, and found charred wood, animal bones and pottery. Of the latter there were several pieces similar to the rude urns found in the barrows, also some pieces of Roman pottery.

In several places I found stags' horns. The altar-stone is 16 feet 2 inches long, 3 feet 2 inches wide, and 1 foot 9 inches thick. It was completely broken in two by the fall of the impost of the great trilithon. It was neatly chiseled as you may see by digging the earth from the side.

Richard Beamish (1798-1873)  excavated in 1844 according to the label on his sample in Salisbury Museum;


Page 86- 87 gives the description of his excavation:

Mr. Joseph Browne gave to Dr. Thurnam the following account of a digging in front of what is called the altar-stone by Captain Beamish, who undertook the exploration in order to satisfy a society in Sweden that there was no interment in the centre of Stonehenge : Some years ago, I do not remember the year, but it was that in which Mr. Autrobus came of age [? 1839], and that there were rejoicings at Amesbury, an officer from Devonport, named Captain  Beamish, who was staying at the George Hotel, having obtained the permission of the proprietor, made an excavation somewhere about eight feet square and six feet deep, in front of the altar- stones digging backward some little distance under it. I remember distinctly the hole being dug through the chalk rubble and rock. 

Nothing was found excepting some bits of charcoal, and a considerable quantity of the bones of rabbits. Before the hole was filled up, I buried a bottle, containing a record of the excavation." 

The next and last excavation was by Richard Atkinson:

The Altar Stone

During the work of restoration in 1958 a small excavation was made round the Altar Stone in order to settle its exact shape, and thus to decide, if possible, whether it had ever formerly stood upright on one end.

The north-western end of the stone was found to have been heavily battered and defaced by former souvenir-hunters; but enough remained to suggest that in its original form it had been squared off at right-angles to the length of the stone.

The other end, however, was better preserved, and had clearly been dressed to an oblique bevelled outline, very much like the bases of some of the sarsens (e.g. stones 57 an d 58).

The purpose of these obliquely pointed bases seems to have been to facilitate the final adjustment of the stone after it had been raised to vertical position. The occurrence of the same form, deliberately worked, at one end of the Altar Stone suggests that it too was a pillar, and one which, in view of its exceptional size among the bluestones, probably stood on the axial line. We were not able to dig beneath the stone, because it now supports the weight of two fallen sarsens (55b and 156) and is itself broken into two pieces. But it is at least possible that the Altar Stone has fallen over its own stone-hole, just as have several of the sarsens (e.g. 55, 57, 58).

Underneath stone 55b, immediately behind the Altar Stone and just to the south-east of the axis, we found a large hole which seemed to have been a stone-hole. It was hardly deep enough to have held the Altar Stone itself; and its position suggests that it is one of a pair, set symmetrically on either side of the axis. It was unfortunately not possible to verify this by further digging. Tentatively, however, we may conclude that a pair of stones stood here within the oval setting of dressed bluestones (phase IIb). This pair of adjacent stones would thus serve, as it were, as a back sight for the observation of the midsummer sunrise, the single stone in the hole K at the other end of the oval acting as the fore sight

(Atkinson Stonehenge 1979 revised version Appendix  I  p211-212)


Thanks to Simon Banton for the research for this post.

Saturday, 19 October 2024

The Chalk Plaque Lozenges

In 1968 during the widening of the A303 road near Stonehenge. archaeologists uncovered what is now known as the Chalk Plaque Pit, which contained two extraordinary engraved chalk plaques. The plaques feature intricate geometric designs incised into their surfaces. Recent analysis using advanced imaging techniques has revealed previously unseen details, including what appears to be a representation of a twisted cord on one of the plaques. 


The plaques have what has been termed front and back sides, the fronts having the intricate series of lines we are used to seeing but a picture of the "back" of plaque one in the Salisbury museum collection - https://collections.salisburymuseum.org.uk/object/SBYWM:2009R.125.1869 - which is very clear, lead me to look again at the the lozenges depicted.


The reverse of Plaque one from Davis et al.

A familiar pattern that is overshadowed by the other side of the plaques.

And a couple of unrelated uses of symbolic lozenges I have noticed this last week.

The Norman font in Minster Church - St Merteriana's - near Boscastle and a Japanese Mayo bottle.






  

Wednesday, 9 October 2024

The characteristics of lines engraved by stone tools versus metal tools

 The characteristics of lines engraved by stone tools versus metal tools can differ in several key ways:

 


## Stone Tool Engravings

 

**Groove Morphology:**

- Stone tool engravings tend to have more irregular, V-shaped or U-shaped cross-sections[1][2].

- The grooves may be shallower and less uniform in depth compared to metal tool engravings[1].

 

**Surface Texture:**

- Lines engraved by stone tools often exhibit a rougher, more irregular surface texture within the grooves[1].

- Microscopic analysis may reveal parallel alignments of smoothing and linear striations consistent with repeated cutting strokes using a stone edge[1].

 

**Width and Depth:**

- Stone tool engravings are generally wider and shallower than those made by metal tools[2].

- The width and depth can vary more along the length of a single line due to the irregular nature of stone edges[1].

 

**Precision:**

- Stone tools typically produce less precise and controlled lines compared to metal tools[2].

- Parallel lines or grid patterns may show more irregularity in spacing and alignment[1].

 

## Metal Tool Engravings

 

**Groove Morphology:**

- Metal tools tend to produce more uniform V-shaped or U-shaped grooves with smoother walls[2].

- The cross-section of the grooves is often more consistent along the length of the line[2].

 

**Surface Texture:**

- Lines engraved by metal tools generally have a smoother internal surface texture[2].

- Under magnification, metal tool marks may show more regular and finer striations within the grooves[2].

 

**Width and Depth:**

- Metal tool engravings can achieve narrower and deeper lines compared to stone tools[2].

- The width and depth of the lines are typically more consistent throughout the engraving[2].

 

**Precision:**

- Metal tools allow for greater precision and control in creating fine details and complex patterns[2].

- Parallel lines or grid patterns made with metal tools tend to be more evenly spaced and aligned[2].

 

It's important to note that the characteristics of engravings can also be influenced by factors such as the skill of the engraver, the specific type of stone or metal used for the tool, and the properties of the material being engraved[1][2]. Advanced microscopic analysis and 3D scanning techniques are often employed by researchers to distinguish between stone and metal tool engravings in archaeological contexts[1][3].

 

Differences in the terminations of engraved lines made by stone tools compared to metal tools:

 

## Stone Tool Engravings

 

**Termination Characteristics:**

- Stone tool engravings often exhibit more irregular and varied terminations.

- The ends of lines may curve out or feather, creating a less defined edge.

- Feather terminations are common, where the fracture front remains balanced and cleanly exits the stone, creating a sharp but potentially curved edge[9].

 

**Cross-Section:**

- Stone tool engravings can feature both angular V-shaped and concave U-shaped cross-sections[1].

- The variation in cross-section shape may be due to differences in the degree of wear and slight variations in the shape of the tool edges used[1].

 

## Metal Tool Engravings

 

**Termination Characteristics:**

- Metal tools generally produce more controlled and sharper line terminations.

- The ends of lines engraved by metal tools tend to be more precise and defined.

 

**Tool-Specific Features:**

- Gravers and burins, common metal engraving tools, can create very fine and sharp line endings[10].

- Square or V-point gravers, typically used for cutting straight lines, have very small cutting points that allow for precise terminations[10].

 

**Precision and Control:**

- Metal tools allow for greater precision in creating fine details, including the ability to control line endings more accurately[2].

- The "sculptor's stroke" technique, using a metal point chisel at a shallow angle, can create controlled parallel lines with well-defined endings[2].

 

It's important to note that while these general differences exist, the specific characteristics of line terminations can vary depending on factors such as the engraver's skill, the exact type of tool used, and the properties of the material being engraved. Advanced microscopic analysis and imaging techniques are often necessary to definitively distinguish between stone and metal tool engravings in archaeological contexts.

 

Citations:

[1] https://ro.uow.edu.au/cgi/viewcontent.cgi?article=8675&context=scipapers

[2] https://artofmaking.ac.uk/content/essays/2-stoneworking-tools-and-toolmarks-w-wootton-b-russell-p-rockwell/

[3] https://www.nature.com/articles/s41599-023-01742-7

[4] https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5931501/

[5] https://www.britannica.com/topic/burin

[6] https://humanorigins.si.edu/evidence/behavior/stone-tools

[7] https://link.springer.com/article/10.1007/s10816-024-09658-5

[8] https://www.artslookup.com/prehistoric/rock-engravings.html

[9] https://stonetoolsmuseum.com/analysis/propagation-and-terminations/

[10] https://en.wikipedia.org/wiki/Engraving

[11] https://intarch.ac.uk/journal/issue40/8/4-1.html

[12] https://www.nature.com/articles/s41599-023-01742-7

[13] https://www.cambridge.org/core/books/stone-tools-in-the-paleolithic-and-neolithic-near-east/lithics-basics/487AB7381E1E3B42C4980448AF364C40

Tuesday, 8 October 2024

Was the Altar Stone ever a pillar?

 

The Altar Stone Outline based on Atkinson.

Richard Atkinson in the 1979 revision of his "Stonehenge" book addressed the question of whether the Altar Stone was erected or not:
 
"During the work of restoration in 1958 a small excavation was made round the Altar Stone in order to settle its exact shape, and thus to decide, if possible, whether it had ever formerly stood upright on one end.

The north-western end of the stone was found to have been heavily battered and defaced by former souvenir-hunters; but enough remained to suggest that in its original form it had been squared off at right-angles to the length of the stone.

The other end, however, was better preserved, and had clearly been dressed to an oblique bevelled outline, very much like the bases of some of the sarsens (e.g. stones 57 an d 58).

The purpose of these obliquely pointed bases seems to have been to facilitate the final adjustment of the stone after it had been raised to vertical position. The occurrence of the same form, deliberately worked, at one end of the Altar Stone suggests that it too was a pillar,"

Leaving aside that no stone hole at either end was found where it could have fallen from his logic seems to me to be very weak. And his squared off end doesn't appear to be so in his photo, below.

His belief is that an oblique end to a stone indicates it was a buried end, whereas I think that monoliths with a sloped top are more common than with a squared end. 

I don't think the angles of the ends of the Altar Stone tell us anything about whether it was ever vertical. The absence of evidence that was, however, give us a reason to believe it was placed prone deliberately in its present position. 

Thursday, 3 October 2024

Are the engravings actually on the Altar Stone?

Over on X Mike Pitts makes a reasonable observation about the claims in https://www.sarsen.org/2024/10/prehistoric-engravings-discovered-on.html

 

The bluestone with the scale in Mike's first post is 1958 Excavation, Unidentified Bluestone. https://historicengland.org.uk/images-books/photos/item/P51121. I have seen the two photos of it in the archive and it looks like Spotted Dolerite to me and it is labelled as being at Stonehenge, with what looks like a chalky pile behind it. But I must admit I can't see it in any other photos of the excavations. If it isn't Stonehenge though where would it be, where else would Atkinson have dug up such a stone? And that then got mislabeled? That the scale only appears in these couple of photographs isn't a worry, it also appears in two other Stonehenge photos https://historicengland.org.uk/images-books/photos/item/P51898 and https://historicengland.org.uk/images-books/photos/item/P51899 .We can also see that the archive numbering indicates that these photographs are in the series of Stonehenge ones.

The only other photo that shows the eastern end of the Altar stone is https://historicengland.org.uk/images-books/photos/item/P51908:  
 
 Richard Atkinson in the 1979 revision of his book Stonehenge described the ends of the Altar Stone: "The north-western end of the stone was found to have been heavily battered and defaced by former souvenir-hunters; but enough remained to suggest that in its original form it had been squared off at right-angles to the length of the stone. The other end, (The one we are discussing) however, was better preserved, and had clearly been dressed to an oblique bevelled outline, very much like the bases of some of the sarsens (e.g. stones 57 an d 58). The purpose of these obliquely pointed bases seems to have been to facilitate the final adjustment of the stone after it had been raised to vertical position. The occurrence of the same form, deliberately worked, at one end of the Altar Stone suggests that it too was a pillar, and one which, in view of its exceptional size among the bluestones, probably stood on the axial line.

My opinion is that the photo of the engraved stone matches both the description and the other photo of that end of the Altar Stone.

As to whether it is a quartz vein or a drill hole I am undecided and I don't think either indicate whether or not it is at Stonehenge.

The stone in the photograph is a sedimentary rock with its layers lying in the natural position with worked sides and a rougher top. It is about 50cm thick, according to the scale and lying in a dark chalky soil. All of this is also a description of the Altar Stone.  I can point out similar areas in it on other photos of the Altar Stone but I accept they are not definitive.

The other area that looks very similar is the middle section where it is exposed between 55b and 156 and the edges are worn down. And if the soil hadn't been removed under the overlying fallen stones the section would look similar to the photograph. The caption says it is taken from the North East but if it was taken towards the North East then it would be of the excavated southern side that we have no photographs of. 



So I am sure the engraving photographs were taken at Stonehenge, where else could they be of?
To suggest it is from an excavation anywhere else would need to be supported by photographs and documentation of the other site.
And that it is of the Altar Stone. I think it is very likely to be eastern end but it could be on the southern side. In the two pictures of the scratched stone I  notice the section edge showing on the right which is coming back towards the camera. That end of the stone hasn't been excavated. I can't square that with the other photos of his excavation, though of course it might be during the dig. However I think it does match with the middle section looking north east where the soil under 55b doesn't appear to have been excavated. And the top of the stone matches the curve. So this is an alternative part of the Altar Stone they might be on. Or even at the eastern end of the south side.





Which makes the indecipherable note with an arrow pointing at the South side on Atkinson's plan intriguing. I am trying to track down the original.


Click to enlarge.


Wednesday, 2 October 2024

Prehistoric Engravings Discovered on Stonehenge's Altar Stone

In the Historic England archive of Richard Atkinson's 1958 excavations at Stonehenge, I came across two photographs (link to full size copies)  that revealed an astonishing and unexpected feature of the Altar Stone. The photographs, labeled P50106 and P50107, partially show the excavated southeastern end of the Altar Stone, which has otherwise always been buried. (There is a possibility that they are on the south side of the stone instead) To my surprise, there appeared to be prehistoric engravings on it.

In his 1979 book on Stonehenge, Atkinson merely noted that the stone was deliberately worked. However, with the benefit of recent knowledge about prehistoric engravings on stones and ceramics from across the British Isles, the diagonal lines on the altar stone can now be clearly identified as part of that tradition. These lines are more than just functional stoneworking or accidental damage, they have a meaning.

This preliminary identification of the alternating diagonal lines, which indicate they were inscribed by stone tools, is just the beginning of a larger debate. Questions arise about their connection to the builders of Stonehenge, their meaning, and their origin. Given this significant discovery, it is crucial to reopen the previous excavation for a modern, detailed examination. This would ensure that any speculation is grounded in realism.

My sketch of the engravings:



I paid for them to be digitised and they are now available online, the embeded versions are below.

To confirm that this is the eastern end of the Altar Stone I compared different photos and matched up features. It isn't certain, the south side is also a possibility - https://www.sarsen.org/2024/10/are-engravings-actually-on-altar-stone.html




Examining the physical properties of the Altar Stone

The Historic England Archives in Swindon has a collection of unpublished photographs from Richard Atkinson's 1958 Stonehenge Excavations. Examining them recently, I came across several of the Altar Stone which provide new insights into this enigmatic stone.

Two in particular of the southeastern end of the stone are of particular interest, which I will investigate in a separate post.


P50106 - surface of altar stone from north-east
Click to enlarge. Photograph copyright and source Historic England Archive.
Not to be reproduced without written permission.
Used under Permission 10050_14608
Online version:


P50107 - surface of altar stone from north-east
Click to enlarge. Photograph copyright and source Historic England Archive.
Not to be reproduced without written permission.
Used under Permission 10050_14608
Online version:

Monday, 30 September 2024

The Barrow where the Lake House Meteorite was excavated from.

From Pillinger & Pillinger* we know that the Lake House Meteorite wasn't exposed to the weather on the steps for many years prior to its earliest photograph (1899) as the local chalk on its surface hadn't been washed off. This also indicates that its last subterranean home had been close by.

In 1899 the house had been recently bought by Lovibond the brewer and he doesn't seem to have had any connections to archaeology or geology so is unlikely to have been instrumental in its excavation.

However a previous owner Edward Duke had organised the excavation of numerous barrows on the estate and kept the finds in his private museum, the portable objects of which were sold at auction in 1895.

Duke recorded he found a large stone in the barrow he numbered 18. (p586, WANHS vol35:


In the absence of any other evidence or history of the meteorite this seem to be most obvious source of the meteorite. Duke's excavators found it in a barrow and he kept it at Lake House, probably in some outbuilding as a curio. Lovibond as the new owner turned out the barns put it on display. And this is the nub of the Pillinger & Pillinger article.  

But where is Barrow 18? 

The barrow expert and sleuth Simon Banton (check out his barrow map) stepped up to the challenge and reviewed all the evidence in great depth including more recent work on the Lake House Barrows. And whilst the identification isn't certain there is one barrow that fits the description and reported size and has not been identified as one of the other Duke barrows.

Wilsford 81

"A field visit by the OS in 1972 found the barrow to be a mound, 1.15m high, with a diameter of 13m, this is 0.4m higher than Grinsell reported.
The Bronze Age bowl barrow referred to above (1-8) was surveyed at a scale of 1:1000 in May 2009 as part of English Heritage's Stonehenge WHS Landscape Project. It was originally listed as Wilsford 81 by Goddard in 1913. The barrow has an overall diameter of 13.8m and comprises a mound, 1m high, with a slight berm on its northern and western sides plus possible traces of a ditch to the south-west, although this could be a plough line."


The question of where the bronze age barrow builders obtained it from is another question, it is unlikely to have fallen in southern England, so it would be worth investigating Wilsford 81 further, there may be fragments and clues that Duke's diggers missed. And if there still is a large stone there then it can be ruled out as the source.

That it is likely to be yet another example of the large stones manuported to Ancient Wessex from afar seems certain.


*"Pillinger, CT and Pillinger, JM. 2024 Grandfather's stone: the Lake House Meteorite, Britain's largest and earliest extraterrestrial sample. Wilts Arch & Nat Hist Magazine 117, pp 181-196."

Wednesday, 25 September 2024

1899 Photo of the Lake House Meteorite

In the latest WANHS, the Lake House Meteorite is discussed at length in "Pillinger, CT and Pillinger, JM. 2024 Grandfather's stone: the Lake House Meteorite, Britain's largest and earliest extraterrestrial sample. Wilts Arch & Nat Hist Magazine 117, pp 181-196."

In tracing the history of it the authors struggle to explain its appearance in a 1908 photo and say: "Other dated contemporary photographs would be of considerable help"


UPDATE - 1899 photograph found https://collections.salisburymuseum.org.uk/object/SBYWM:1947.39.9




Previous Post:


Salisbury Museum can provide that help:


A photograph dated 1903 of Lake House shows it.

As does an October 1905 one by Miss Clarice Hules

Its sudden appearance on the steps in the early 1900s supports Andrew  Ziminski's Theory that it was removed from Stonehenge in 1901.

Sunday, 22 September 2024

Did Cunnington find any bluestone in Boles Barrow?

The notion that the Boles Barrow Bluestone came from Boles Barrow is based on an undated footnote William Cunnington added to his copy of a letter he had sent to H P Wyndham in 1801. In which he had described the large stones in the barrow he found when excavating it that year as "are of the same species of stone as the very large Stones at Stonehenge". In other words he was saying they were sarsens. Further on in the letter he notes he has brought ten such stones to his house, not explicitly saying they were or were not from the barrow. His later footnote to himself is ":Since writing the above I discover amongst them (presumably the stones in his garden) the Blue Hard Stone also, ye same to some of the upright stones in ye inner circle at Stonehenge". (Mike Pitts Hengeworld 2000 p 199-200)

So the linking of any bluestone to the barrow is not clear, even without the disparity between the weights of the Boles Barrow bluestone (611kg) and the weights of stones Cunnington records (13-90kg)

So at some time looking at his rockery he realises he has inadvertently got a bluestone in there, and as some of the rockery may, and only may, have come from Boles Barrow it is assumed that is where it came from. Even though he didn't notice it at the time.

In Colt Hoare's description of the excavation of Boles Barrow - see the bottom of this post - there is no note of the discovery of a bluestone.at all.

But he did record finding "a large piece" of one of the Stonehenge Bluestones in a tumulus in the Stonehenge triangle,  Amesbury G4, for details search for it on  Simon Banton's Barrow Map and here it is recorded in Colt Hoare's book:

 Click to enlarge



 https://historicengland.org.uk/listing/the-list/list-entry/1012387



Sir Richard Colt Hoare The History of Ancient Wiltshire 1812 Volume 1. Boles Barrow Excavation


In this ride I shall ascend the hills at the back of Sir William A'Court's demesne, and proceed over Nanny Down towards Bowls Barrow. At the upper end of Heytesbury field and near the summit of the hill, is a flat barrow ploughed over, which Mr. Cunnington opened in 1800, and found about a foot under the surface, a layer of flints that extended nearly over the whole tumulus, intermixed with fragments of thick and coarse pottery; and was much surprized in finding ten small brass Roman coins of the Emperors Constantine, Valentine I. and II. and Arcadius, together with some pieces of the fine red Samian pottery. From the discovery of these articles, viz. first, the rude pottery, and afterwards the fine Samian ware, and coins, we may conceive this to have been occupied both by the Celtic and Romanized Britons.

On the summit of the hill we meet the great track-way, and crossing it come to a large tumulus named BOWLS BARROW; its length is one hundred and fifty feet at the base; its width ninety-four feet, and its elevation ten feet and a half, though it appears to the eye much higher; the broad end points towards the east. This large barrow was opened by Mr. Cunnington in 1801, and attended with much labour. He began by making a section of considerable width and length across the barrow near the east end, and at the depth of two feet nine inches found a human skeleton lying south-west and north-east, and with it a brass buckle, and two thin pieces of the same metal. Towards the centre of the barrow, were two other skeletons interred, with their heads towards the south, and one of them lying on its side. The interior parts of the barrow were composed entirely of white marl stone to the depth of four feet and a half: this was succeeded by a ridge of large stones and flints, which extended wider as the men worked downwards. At the depth of ten feet and a half, which was the base of the barrow, was a floor of flints regularly laid, and on it the remains of several human bodies deposited in no regular order. It appeared therefore, that they had been thrown together promiscuously, and a great pile of stones raised length-ways along the centre of the barrow over them. This pile (in form like the ridge of a house), was afterwards covered with marl excavated from the north and south sides of the barrow, the two ends being level with the plain. Although four men were employed for three days, they could not explore more than the space of about six feet by ten; yet in this small portion they found fourteen skulls, one of which appeared to have been cut in two by a sword. It is rather singular, that no fragments whatever of pottery, charred wood, or animal bones, were found in the course of the above operations.

At a subsequent period Mr. Cunnington made a second attempt on this tumulus, by opening more ground both at the east as well as west end; at the former he found the heads and horns of seven or more oxen; also a large cist close to the skeletons; but owing to the great height of the barrow, and the large stones continually rolling down upon the labourers, he was obliged to stop his operations.